Job Number |
Title | Pages | Credits | |
---|---|---|---|---|
E-320 |
The Hunchback of Notre Doom
Notes: Parody of Notre-Dame de Paris by Victor Hugo (Gosselin, Paris, 1831).
|
5 pg art |
Joe Maneely pencils and inks signed Notes: Signed last panel last page.
Contributors:
John Benson: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit Tom Lammers: Story Information |
|
E-356 |
Those Crazy Dolls
|
2 pg text | ||
E-319 |
The Mummy Walks
Notes: Anti-communist story.
|
4 pg art |
Sol Brodsky pencils and inks signed Notes: Signed last panel.
Contributors:
Jim Vadeboncoeur Jr.: Creator Credit Tom Lammers: Story Information |
|
E-414 |
The Men from Mars
Notes: Plot similarities to La Plan�te des Singes by Pierre Boulle (Livre de Poche, Paris, 1963): intelligent civilized apes "descended from a primitive species called man" inhabit another planet, where they keep humans in cages.
|
5 pg art |
Howie Post script signed Howie Post pencils and inks signed
Contributors:
John Benson: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit Tom Lammers: Story Information |
|
E-173 |
Tall In The Saddle
Notes: This story bears a passing resemblance to a 1944 movie with the same title starring John Wayne, which also features a young female ranch owner calling in an outsider to stop the rustling of her cattle. How come Stan Lee used the same title? - John Benson
|
5 pg art |
Mort Drucker pencils signed |
|
E-288 |
Moe Gumbo
|
4 pg art |
Howie Post pencils and inks unsigned
Contributors:
Jim Vadeboncoeur Jr.: Creator Credit |